Spoilers follow for Wynonna Earp Season 3 Episode 10, “The Other Woman.”
Bulshar found what he needed to destroy humanity at the end of last week. This week’s episode, titled “The Other Woman,” showcases the crew’s desperate attempts to not allow it to happen.
We open the penultimate episode of Wynonna Earp’s third season (before next week’s two-part finale) with a flashback to Purgatory’s days of yore. The days when candles assisted with one’s sight while they wrote on flammable pages and when mustache upkeep was non-existent. Here’s where we see a pre-Bobo Robert Svane and Padre Juan Carlo anticipating the hand-off of a 1880s-era Peacemaker in the form of a wicked big tiny sword (as Wynonna affectionately calls them). When we flash forward to the present, Wynonna downs a coffee that should effectively give her coffee cancer, but since her body has survived worse, a quintuple-shot latte is a walk in the park.
Waverly and Jeremy brainstorm any possible way to defeat Bulshar (who holds the key to opening up the actual Garden Of Eden by the way – no biggie) as Bobo works his best America’s Next Top Model pose in the background. He grows agitated at JerWave’s various modern-day analogies for the demonic spirit and reveals that “he took her book.” The “her” in this situation lead Haught and Doc on a mission to retrieve a journal once held by a woman named Maeve who was burnt at the stake, because people are the worst. When the duo encounters her spirit, she does what any of us would probably do in that situation – try everything in our power to get close to Officer Nicole Haught. Where you and I might buy her a fruit basket, Maeve instead possesses her and Haught experiences life as a teenage girl AGAIN – for some, myself included, this is a fate worse than death. Doc is tasked with killing either Haught or another human vessel in order to allow Maeve to move right into their fresh body in exchange for the journal needed to defeat Bulshar. Ah, remember the joyous times when Doc’s biggest worry was what name he was going to call his usurped pink hot rod?
In the meantime, Wynonna and Charlie Fire Services share a heart-to-heart after she finds him rooting around the Earp barn in order to make repairs to an object she didn’t realized she owned. While I tend to constantly poke fun at the handsomely dull firefighter, I have enjoyed the relationship between him and Wynonna this season. The WynDoc dynamic has been quite strained recently, so it’s been nice seeing how Wynonna adjusts to a semi-normal-yet-not-at-all-serious/somewhat-serious dating life. Surely their argument towards the beginning of this episode will not have any major lasting repercussions as the episode goes on…
As the growing fight against Bulshar’s erroneous fashion crimes continues, a new member of the team rises up in the form of Kevin. TV fans, particularly my fellow Canadians, will squeal with delight when they see former Lost Girl star Anna Silk take up the mantle as the woman with the trusty hazmat suit. Wynonna Earp showrunner Emily Andras worked on the sci-fi/fantasy series for the duration of its run and it is no surprise when familiar faces pop up here and there on her own series. I think the world would’ve briefly stopped spinning on its axis if there was a sequence between Kevin and Jolene (portrayed by fellow Lost Girl alum Zoie Palmer) this episode. We can all dream.
Kevin’s official title is “representative of a long line of ambassadors tasked with looking after the balance in the world.” She seemingly manages to do the impossible in this universe (where the impossible occurs quite frequently) and out-quips the Quip Master herself, Wynonna Earp. She solidified her position in my list of all-time favourite Wynonna Earp characters when she asks my beloved Waverly if her bangs are the reason why she doesn’t have a boyfriend. That’s just silly – we all know every human being on Earth would give their right arm for Waverly’s love, regardless what style of hair she had on her head. Kevin also eats pickles straight from the jar. Now THAT is what I call charm.
She tasks the Earp sisters with retrieving Bulshar’s severed arm from a “totally unstable” and collapsible uranium mine in order to synthesize a weapon against him. Waverly and Wynonna are obviously both completely in. They encounter a previously one-armed (now two-armed) radioactive demon Wyatt Earp once trapped in said mine. His reattached arm happens to be the Bulshar arm they’re looking for. When Wynonna becomes disarmed (I’ll be here all week, folks) after touching his neck, Waverly takes the figurative and literal gloves off. They lure him into the Gardner house, where they all spend a few minutes congratulating Mercedes on her beautiful face. Waverly learns Bulshar’s ring controls his severed arm, so she gets Clint to force choke himself. I have to say, I’m a little disappointed a Darth Vader reference wasn’t made.
Back with DocHaught, Jeremy joins in the fun as we learn Maeve’s spirit can hop from body to body, molesting those she comes in contact with. I’d like to take this moment to say that Kat Barrell shines as the possessed spirit. We’ve all seen how Barrell handles the hysterics involved with being drunk Haught (“you’re going too fast and I’m too drunk!”) – but possessed Haught? She embodies teenaged ghost witch. When Doc ultimately finds the journal they’re looking for, the hot-tempered spirit of Maeve sets the house ablaze. This means the only firefighter we’ve seen all season will probably show up – and would you look at that! Charlie Fire Services arrives to save the day, and in this instance, that means being bit to death by Vamp Doc and having a distraught Haught threaten to shoot him with wooden bullets.
As the episode concludes, we learn that not only is Waverly the champion of all our hearts, but she is the key to defeating Bulshar. She must sacrifice her own life by sealing the gate to the Garden and, ultimately, turning into stone in order to save the rest of humanity. Wynonna breaks down at the prospect of losing her sister and, honestly, I feel you, girl. Now I realize the well-being of the many may possibly outweigh the lives of a few… however, in the words of Skeeter Davis: don’t they know it’s the end of the world? It ends when Waverly Earp ceases to exist!
As the clock winds down on season three of Wynonna Earp, I have to give the most major of props to showrunner Andras and the writing crew for their treatment of these characters. Throughout my recaps, I’ve consistently praised the direction this season has taken in terms of how we see the development of each respective character from the first season to now. Wayhaught have grown immensely both as a couple and as individuals, while Doc Holliday is a freaking vampire. We’ve seen Wynonna make impressive personal strides, whether it be seeing how Dolls’ death ultimately affected her or opening up to Haught, yet one factor has remained consistent throughout her character – Waverly Earp is the most important person in her entire life. Though she would give up her life in a heartbeat to save others, she refuses for her sister to have the same fate.
I have no idea how next week’s two-part finale will pan out, however Andras tweeted “don’t breathe” when describing it, so… it should be completely fine.
My 3 Favourite W’s of the Episode
I would now like to turn your attention to my 3 Favourite W’s for this episode of Wynonna Earp. These consist of favourite Wynonna Insult, Wayhaught Moment and Waverly Expression – the three pillars of any Wynonna Earp episode.
Wynonna Insult: “And I’m fairly certain that if you weren’t such a douchebag, we could hang.”
Wayhaught Moment: There was an unfortunate lack of Wayhaught being in the same room this episode. To be fair, Waverly had to track down a severed demonic arm while Haught was busy being possessed so we’ll just forgive this one.
What did you think of “The Other Woman”? Let us know in the comments below.
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Acquainted takes a raw and honest look at modern love
In Acquainted, a new romantic drama from Toronto-based director Natty Zavitz, high school classmates Drew (Giacomo Gianniotti of Grey’s Anatomy) and Emma (Laysla De Oliveria of The Gifted) reunite with each other at a bar and instantly connect, discovering they share some serious chemistry. Problem is, the pair are both in serious, long-term relationships.
The script for the film was partly inspired by the deterioration of Zavitz’s last major relationship, said producer Jonathan Keltz (Entourage, Reign), who also plays Allan in the film.
“(Zavitz) sent me the script almost four years ago and I just connected so deeply and was so blown away by his script,” Keltz said. “(I was blown away) by how defined his voice was. I was completely moved by it.”
Inspired by films such as Richard Linklater’s Before Sunset trilogy, Acquainted is an honest look at relationships and adulthood, exploring the subject matter with introspection. Keltz said the film examines fidelity and infidelity from a judgement-free place.
“The characters are not villains or victims. It’s a raw and honest look at being in relationships, to have these type of things happen and how to deal with that,” he said. “The relationship with the self and the seeking to find out who you really are is really what’s crucial to the building of a relationship with somebody else.
“It’s about taking the time to do that work that puts you in the best position to be a partner with somebody and to be an adult in this world.”
Many of the cast and crew on Acquainted have worked in Toronto’s film community for years, making the set of the film a reunion of its own.
“In front of the camera and behind the camera, (the film involves all) kinds of amazing artists. It’s really a Canadian film and a Toronto film,” Keltz said. “It’s not trying to either hide that or beat you over the head with that.
“I think that’s done in a very unique way, and in a way that is both Torontonian and Canadian but also universally and commercially viable.”
Keltz said he thought the film would be emotionally affecting to audiences, offering perspective that could help to contextualize modern love and relationship.
“I think this is a really raw and honest and beautiful film about what it means to be in love, to be heartbroken, to be devastated, to be inspired and to try and build a life for yourself and figure out what that means,” Keltz said.
Acquainted is now playing at Cineplex Movies Yonge and Dundas in Toronto, International Village in Vancouver and at Landmark Cinemas nationwide.
Next up on The Mutt: With maturity and depth, An Audience of Chairs reflects on mental illness
With maturity and depth, An Audience of Chairs reflects on mental illness
Based on the novel of the same name from Canadian author Joan Clark, An Audience of Chairs is a complex and contemplative look at mental illness, a wise film that approaches its subject matter with significant emotional maturity.
Much of that refinement and subtlety is found in the original work, but director Deanne Foley and screenwriter Rosemary House build upon it, drawing an affecting performance from Carolina Bartczak, who plays Maura.
“(Maura) has a very complex and tormented relationship with her children and her career and her marriage,” Foley said. “It’s really about one woman’s journey of survival. For me, it’s a powerful redemption story.”
Upon reading House’s adaptation of An Audience of Chairs and in digesting the original novel herself, Foley said she identified scenes and moments that she felt were illustrative as to Maura’s character.
“It was a lot of time trying to find those moments, being able to strip away all the dialogue. Because there is so much that is not said,” Foley said. “We were telling visually the story of a woman with a mental illness. So even using the way we lit the house, there was light and darkness within her environment. That helps in being able to illuminate her mood.”
Portraying mental illness on screen in an effective and responsible manner can be a challenge for any filmmaker. Foley said she felt that responsibility, even feeling a level of trepidation prior to beginning work on An Audience of Chairs.
“We wanted to make sure it was authentic and it was an honest portrayal of this woman,” Foley said. “We contacted a psychologist, who (Bartczak) worked with closely. That psychologist gave us reassurance that whoever wrote the script had a strong understanding of bipolar disorder.”
Foley said she established a rule on set that if something were to occur in the film that wouldn’t take place in real life, it would not make it into the film. Maura’s physical and emotional responses were also checked by the psychologist to ensure their authenticity.
The film’s resulting approach to mental illness is factual and genuine, something Foley said was a goal for the filmmaking team from the outset.
“Even though her life isn’t perfect, (Maura) is still able to function in society,” Foley said. “I wanted to give a message of hope, that no matter how broken a person can be, they can still manage to find the light again.”
Next up on The Mutt: Tantoo Cardinal propels Falls Around Her in first leading role
9 Canadian films screening at the 2019 Calgary Underground Film Festival
Returning for the 16th year, the Calgary Underground Film Festival (CUFF) is set to once again showcase the best in genre film at Calgary’s Globe Cinema April 22 to 28. Brennan Tilley, lead programmer at CUFF, said this year’s festival (CUFF’s biggest ever with 30 features and 33 shorts) included a strong Canadian lineup.
“(With our lineup), it’s not like we’re saying we’re going to just pick the 12 best Canadian shorts or six best Canadian features. It really is that these are the films that we love,” Tilley said. “As long as Canadians and Albertans keep making great films, those are exactly what we’re going to want to show. There’s so many good ones.”
This year’s Canadian lineup includes Harpoon (directed by Rob Grant and produced by Michael Peterson and Kurt Harder), Brent Hodge’s Who Let The Dogs Out and the debut feature from Calgarian Cameron Macgowan, Red Letter Day.
Tilley weighed in on nine of the exciting Canadian productions featured at this year’s Calgary Underground Film Festival. This interview has been lightly edited and condensed for length.
Harpoon arrives at CUFF after having made its world premiere at the International Film Festival Rotterdam. The film follows three best friends stranded on a yacht under suspicious circumstances.
“Rob Grant is the director (of Harpoon) and he’s someone we’ve worked with before and are pretty familiar with. And the producers are friends of ours, and we’ve had their stuff come through our festival before,” Tilley said. “It’s quite an exciting selection to be part of that at Rotterdam and we were so happy for them to get that. And we’re so excited to host the Canadian premiere.”
WHO LET THE DOGS OUT
From CUFF alumnus Brent Hodge, the documentary Who Let The Dogs Out traces the curious origins of Baha Men’s hit song of the same name. Hodge’s previous film, Freaks & Geeks: The Documentary, took home the 2018 CUFF Audience Award for Best Documentary at last year’s festival.
“(Who Let The Dogs Out) just had its world premiere at SXSW. It’s a terrific Canadian film,” Tilley said. “I think it’s something in pop culture that so many people know but don’t really know the story behind it. A lot of people know at least know two or three lines from that song but don’t know what the song’s about. But this is about the history of it – it’s a great comedic documentary about copyright law.”
RED LETTER DAY
Calgary director Cameron Macgowan’s first feature film Red Letter Day, a satirical horror/thriller, is set to screen at CUFF 2019. The film was a selection at the 2019 Brussels International Fantastic Film Festival, Cinequest 2019 and the 2019 Haapsalu Horror and Fantasy Film Festival.
“We’ve gone way back with (Macgowan) as a filmmaker. To have his feature debut screening with us is very exciting. That’s another film that is very much in the wheelhouse of the types of films we play,” Tilley said. “It’s really a film for video store nerds, as well as people who would rent a horror film on VHS and watch it over and over all night. I think it harkens back to that better than any film I’ve seen in quite some time.”
From director Alexandre Franchi (The Wild Hunt), Happy Face is a part autobiographical drama and Franchi’s second feature film.
“This film is just so raw in its portrayal of its (characters). Every (character) featured in the film is playing a version of themselves, and in a way that really exposes them in quite an amazing way,” Tilley said. “You really feel for these characters. It raises questions about how people with deformities or disfigurements are treated, and how people deal with sick family. Plus, it has Dungeons and Dragons in it.”
“We’re really excited to be championing it. This filmmaking team is on the cusp of greatness. (Lipvosky and Stein) have made such a compelling film,” Tilley said. “It goes in unique directions and really pushes boundaries. It’s a science fiction thriller with a real family angle. It has some twists and turns that are really exciting for fans of genre-bending thrillers.”
Fast Horse (screened before Ask Dr. Ruth)
“That’s one that actually won the Best Director award at Sundance,” Tilley said. “So it’s really great given all the success it’s been having to be able to play it for a Calgary audience. That’s exciting, especially because it’s about the Calgary Stampede.”
Love After Ann (screened as part of the package Shorts: The Shape Of Things To Come)
“(Love After Ann) is by Darrin Rose, who is a pretty big standup comedian known throughout Canada,” Tilley said. “This is a real quick hit short all about Henry the 7th, basically on speed dating. It’s terrific.”
Memento Mori (screened as part of the package Shorts: Friends And Lovers In Confusing Times)
“Memento Mori is from Alberta. It’s quite a raw portrayal of a young woman coming to terms with her cancer diagnosis,” Tilley said. “It’s great.”
I Swallow Your Secrets (screened as part of the package Shorts: An All-Consuming Fear)
“That was made through SAIT,” Tilley said. “That’s really great to see them coming up and getting festival play.”
The 2019 Calgary Underground Film Festival runs April 22 to 28 at the Globe Cinema in Calgary. For full lineup information, visit calgaryundergroundfilm.org