Since 2012, Luke Gordon Field has worked as editor-in-chief on The Beaverton, the online Canadian satirical news site. He’s penned many of the site’s most viral articles (“Local man just wants to have a respectful debate with these Libtards“) and still writes for the website while pulling double-duty as executive producer for The Beaverton on the Comedy Network, which was confirmed for season three on June 7. He spoke with The Mutt on future plans for the series, the challenges (and potential joys) of covering Premier-Designate Doug Ford and the show’s place in the Canadian comedy continuum.
The Mutt: What comedy voices do you think influence The Beaverton and your own comedy writing?
LGF: Obviously, The Onion has been around a lot longer than us and is a huge influence on everyone who tries to write satire, whether it be us or any other TV show. That’s definitely the most direct influence and then beyond that, I’m 31, so like a ton of people my age, Jon Stewart was kind of my hero growing up. When the Colbert Report started, it started when I got old enough to stay up to watch it. So those were my two guys throughout my teenage years because it was perfectly timed for me. Those are definitely huge influences on me as a writer for the show, but also the website. Everything you enjoy influences you in some way or another.
TM: You mentioned Jon Stewart — he always talked about doing a show with intention and a point-of-view. Is that something that you incorporate in your writing?
LGF: Yeah, absolutely. When you’re doing a satirical show, the funniest joke is great. But the jokes I think work the best are obviously funny but also have a very strong point-of-view. We’re so privileged to make the show, so if we don’t use the show to push a positive agenda, an agenda for change and use it to speak truth to power and defend people who are marginalized, then really what’s the point of doing the show? So that’s always the goal, and of course you have to balance that with trying to be entertaining. You can’t just be lecturing people for 22 minutes every Wednesday night. It’s a constant balancing act, but it’s also a lot of fun to do.
TM: With things being so polarized now, especially online, do you find that when you guys do take on a point-of-view, does a kind of vitriol tend to come back at you? Say, when you go after Trump?
LGF: I mean, we’re in an interesting place in Canada because I think Trump supporters don’t know what to do with us. They come across us, they don’t know the name, they don’t know the website, so when that crossover happens it’s usually more confusion than anything else. Certainly, as much as we talk about the vitriol in the United States, Canada’s not immune to that. So when we write pieces about hot-button issues, whether it be abortion or Rebel Media, things that tend to get people very fired up, they definitely come after us and use a certain level of vitriol. At the same time, we dish it out so of course we have to take it. There’s nothing that we can really get upset about. Honestly, I don’t worry about it very much because I have a very strong policy of, I don’t read the comments. So whatever people are saying, I don’t really see it.
TM: Doing 13 episodes per season, you’re in a unique space compared to a Daily Show or even a 22 Minutes. When you guys are talking about what you want to cover content-wise, how do you balance it out? Obviously, Trump tends to take the air out of the room, so how do you balance that coverage against other shows who are covering that news on a daily basis?
LGF: Doing 13 episodes really allows you to find where your priorities are. It allows you to not spend as much time on the day-to-day craziness of, ‘Trump tweeted this’ or ‘Trump said that’ kind of stuff. You can focus more on the issues that are actually important and actually ripe for satire. And focus on the stuff that isn’t necessarily front page of the newspaper or the front page of Reddit that day. Which is the stuff that, not to sound arrogant, but it’s the stuff that matters more to people’s day-to-day lives.
TM: In that way, do you feel like you’re almost in a situation like Last Week Tonight?
LGF: The nice thing is that there have been a lot of weekly satire shows — Last Week Tonight, (Full Frontal with Samantha Bee) — it’s less of a daily thing. Obviously everyone still loves The Daily Show, but there’s also Seth Meyers and Kimmel and all these other people who are in the satire world now. So being a weekly show, we do look more to the weekly shows because like us they’re able to have that kind of broader lens in which they look at the world and not get so focused on what happened that day. I’m also a really big fan of some of the UK shows that popped up, like The Mash Report and the classics like Brass Eye. Those were also huge influences on us.
TM: Coming as a satire show in Canada and following the legacy of some of these Canadian satirical shows, how do you see your place in that continuum?
LGF: Yeah, there’s such a great legacy of satire in Canada. I’m not sure enough young people appreciate that 22 Minutes was doing their thing way before Jon Stewart came along. We certainly want to carry the torch and carry on the great tradition of those shows, including Mercer obviously, but we also thought there was room for something that was a little bit sharper and a little bit younger in outlook. I mean, I’m 31 and my writers make me feel ancient. It’s a nice way to appreciate the tradition that came before and do our own thing. It’s not exactly the same as what came before, but we want to pick up on what the shows that have been so successful have done.
TM: So, I gotta ask you about Doug Ford.
LGF: [Laughs] Oh, god.
TM: Especially considering you’re located in Ontario. Are you excited for the prospect of covering him or are you exhausted already?
LGF: I actually am excited. With Trump especially, who is kind of clearly a parallel for Doug Ford, that first year was so insane that I think what you’re seeing now is a bit of Trump fatigue. I think with Doug, it’s going to be similar in a sense that that first year is just going to be nuts, and then after a while we might get sick of talking about him. But right now, it’s very much in the mindset of, ‘What could happen next? This is exciting! Terrible, but exciting!’ I am excited to satirize him and go after him. Don’t get me wrong, I hope he turns out to be a great premier and there’s nothing really to make fun of, but I think the odds of that are pretty slim.
TM: This new season of The Beaverton, any changes in terms of format? How do you see it evolving?
LGF: I think you always want to keep improving, unless you’ve created an absolutely perfect TV show. I’m very proud of the show and think the best thing we did from season one and season two was made it a more topical show, made it more relevant to the news of the week. I certainly think we can continue improving that while also not forgetting those issues that aren’t necessarily front page but are still very vital. But I think we’re definitely going to introduce new segments, we always want to be on the lookout for new talent and new voices we can add to our writing staff as well as our cast. We’re still in the very early stages of working on season three, but it’ll definitely continue to evolve and grow which I think every show that gets lucky enough to get renewed has a responsibility to do.
Follow Luke Gordon Field on Twitter.
Schitt’s Creek to conclude after next season
The popular CBC sitcom Schitt’s Creek will end at the conclusion of its sixth season, series co-creator and star Dan Levy announced March 21.
“We are so grateful to have been given the time and creative freedom to tell this story in its totality, concluding with a final chapter that we had envisioned from the very beginning,” Levy said in a statement. “It’s not lost on us what a rare privilege it is in this industry to get to decide when your show should take its final bow.”
Schitt’s Creek premiered on CBC in 2015, becoming one of the network’s most successful half-hour comedies ever. The show follows the fish-out-of-water Rose family, forced to assimilate into a small town after they lose their family fortune.
Though the show’s first season received mixed reviews, it grew in regard with both fans and critics over subsequent iterations. Schitt’s Creek’s fifth season, which premiered on January 8, 2019, scored a 100 per cent “Fresh” ranking on the review aggregate website Rotten Tomatoes.
The show is also among select company among Canadian sitcoms, drawing strong viewership in the United States and elsewhere thanks to distribution on Netflix and the American Pop network. Critics have reacted favourably to recent episodes, with TV Guide’s Megan Vick writing that each season of Schitt’s Creek has “gotten better and better.”
Read Levy’s full statement below.
To Our Dear Fans… pic.twitter.com/FIXjD3gbzA
— dan levy (@danjlevy) March 21, 2019
New episodes of Schitt’s Creek air Tuesday nights at 9/9:30 NT on CBC.
Watch the Oscar-nominated Canadian short “Animal Behaviour”
To get prepped for the 91st Academy Awards, the National Film Board of Canada (NFB) is offering Canadians the chance to check out Animal Behaviour, nominated tonight in the Best Animated Short Film category.
Animal Behaviour is a new short from Alison Snowden and David Fine, who previously won an Oscar in 1994 for Bob’s Birthday. The short is the 75th Oscar nomination for the NFB, and the first short film for Snowden and Fine since Bob’s Birthday. The 91st Oscars air tonight at 8 Eastern on ABC and CTV.
Watch Animal Behaviour below (expires tonight).
Next up on The Mutt: Wynonna Earp future in doubt as Season 4 delayed
Wynonna Earp future in doubt as Season 4 delayed
All of a sudden, Wynonna Earp is in Purgatory.
Earpers were stunned Thursday night when executive producer and showrunner Emily Andras posted (and subsequently deleted) a tweet suggesting that fans of the show may soon have to fight for it. Another tweet, posted shortly later, took a decidedly more straight-forward approach.
Don’t fuck with my family. 💕
— Emily Andras (@emtothea) February 21, 2019
Andras appeared to be responding to the news that funding for the fourth season of Wynonna Earp appeared to be on shaky ground, according to a report from The Hollywood Reporter. According to THR, financial challenges faced by IDW Entertainment have stalled production on Season 4, despite the company being contractually obligated to deliver the show to Syfy.
In response to the news, Earpers took to Twitter with the hashtag #FightForWynonna, which at the time of publication was one of the top Twitter trends in Canada. Though Season 4 has yet to be officially cancelled, IDW has yet to commit to a start date for the new season.
“IDW is committed to continuing to tell the Wynonna Earp story,” the company said in a statement posted to Twitter. “Much like the fans, we are passionate about not only the series, but the comics, the characters and the overall message that the Wynonna Earp franchise carries. We are in the process of working out the details for how the Wynonna story will continue and will share new details very soon.”
Our resident Earper, Ghezal Amiri, was a big fan of Season 3, writing that the show’s season finale, entitled “War Paint”, was a “wildly emotional conclusion.” Read her recap here.