One morning, two best friends both named Jessica wake up and find themselves having very different mornings – one, Jessica H (Jessica Hinkson) wakes up after a one-night stand while the other, Jessica G (Jessica Greco) finds herself despondent outside an ex’s house post-breakup. And though neither of them find themselves in traditional romantic partnerships, it’s clear the central grounding relationship in their lives is their deep friendship, one that persists throughout the humorous and often confusing time period that is one’s modern-era late-30s.
Jessica Jessica was written by Greco based on a “sort of mashup of anecdotes” she and Hinkson told each other over the course of their real-life friendship, often over brunch. These real-life escapades often made them laugh at (and with) each other, leading the pair to realize they wanted to work together and begin creating content out of their stories.
The resulting 12-minute short, which premiered on CBC’s Canadian Reflections Nov. 15, has gone on to take home a number of awards at a variety of festivals, including the Best Screenplay award at the 2018 Vancouver Short Film Fest. Greco spoke with The Mutt prior to the film’s CBC screening to discuss the origins of the short film, writing about one’s 30s and of the importance of female friendships. This interview has been edited and condensed for length.
THE MUTT: Where did you and Jessica (Hinkson) meet, and why did you decide to start working together?
JESSICA GRECO: Jess and I met a million years ago in theatre school in New York. She was living on the west coast and I was living back in Toronto and we met in New York and after school we went our separate ways. It wasn’t until many years later when she moved to Toronto that we reconnected here. So we’ve known each other and became friends as adults, because we were kids when we went to theatre school. I think chemistry is a big thing. In this industry you always want to work with your friends but you’re at the mercy of being cast opposite your friends. It was the sheer desire to work together, knowing we probably wouldn’t get the shot if we waited around for someone else to do it. So we made it happen for ourselves.
TM: Who are your influences in comedy and what’s the aesthetic of this film?
JG: I mean, the aesthetic was really important. We wanted it to be beautiful, like Sofia Coppola dreamy visuals. We wanted to tell a coming of age story, but a coming of age can happen at any time. So we had this idea of making this beautiful watercolour sparkly coming of age story and snuck in all these dirty jokes that no one expected. It’s kind of subversive, this mashup of a sex comedy meets a beautiful auteur’s version of a female-driven short. As far as influences, there’s so many… like the first ones that come to mind, of course, are the Tina Fey, Amy Poehlers of the world. The first guy I found funny was Michael J. Fox. In terms of great standup, I think Iliza Shlesinger is amazing, John Mulaney. There’s all kinds of great sketch comedy out there. Even locally, the Baroness von Sketch Show. Aurora Browne, she’s amazing.
[Next to read on The Mutt: Our interview with Baroness von Sketch Show’s Aurora Browne]
TM: What unique and modern perspectives did you want to express in Jessica Jessica about being in your late 30s?
JG: I think there is a real parallel in terms of your late 30s and adolescence, for women specifically. I think your late 30s, you’re looked at by society to make some real serious decisions about your life. Whether you want to have kids, how you’re going to do that, where you are in your career, there’s a real sort of rollover that happens right before 40 for women. I think it happens in your late teens, leaving high school as well. If you haven’t got married and haven’t had 2.4 children and have a regular 9 to 5 job, there’s a whole segment of the population for women that are left out in terms of representation, who didn’t do the thing their mothers maybe did. That story doesn’t necessarily exist, and if it it does, it’s a punchline – unless it’s a side character’s arc of, ‘Ha, ha, she just never gets her shit together, she’s that funny aunt.’ It’s a stereotype, and we wanted to represent women in a different way, to say, ‘No, there’s a whole bunch of us out here. We’re not mothers, we’re not wives, but we’re not failures.’
TM: Humour that comes from an honest place tends to be the funniest stuff. Was that something you kept in mind in the writing process?
JG: Absolutely. It was a lot of fun to do, and it was kind of humiliating and terrifying when your character’s name is your real name.
Jessica Jessica is available to watch now via the CBC’s website.
Schitt’s Creek to conclude after next season
The popular CBC sitcom Schitt’s Creek will end at the conclusion of its sixth season, series co-creator and star Dan Levy announced March 21.
“We are so grateful to have been given the time and creative freedom to tell this story in its totality, concluding with a final chapter that we had envisioned from the very beginning,” Levy said in a statement. “It’s not lost on us what a rare privilege it is in this industry to get to decide when your show should take its final bow.”
Schitt’s Creek premiered on CBC in 2015, becoming one of the network’s most successful half-hour comedies ever. The show follows the fish-out-of-water Rose family, forced to assimilate into a small town after they lose their family fortune.
Though the show’s first season received mixed reviews, it grew in regard with both fans and critics over subsequent iterations. Schitt’s Creek’s fifth season, which premiered on January 8, 2019, scored a 100 per cent “Fresh” ranking on the review aggregate website Rotten Tomatoes.
The show is also among select company among Canadian sitcoms, drawing strong viewership in the United States and elsewhere thanks to distribution on Netflix and the American Pop network. Critics have reacted favourably to recent episodes, with TV Guide’s Megan Vick writing that each season of Schitt’s Creek has “gotten better and better.”
Read Levy’s full statement below.
To Our Dear Fans… pic.twitter.com/FIXjD3gbzA
— dan levy (@danjlevy) March 21, 2019
New episodes of Schitt’s Creek air Tuesday nights at 9/9:30 NT on CBC.
Watch the Oscar-nominated Canadian short “Animal Behaviour”
To get prepped for the 91st Academy Awards, the National Film Board of Canada (NFB) is offering Canadians the chance to check out Animal Behaviour, nominated tonight in the Best Animated Short Film category.
Animal Behaviour is a new short from Alison Snowden and David Fine, who previously won an Oscar in 1994 for Bob’s Birthday. The short is the 75th Oscar nomination for the NFB, and the first short film for Snowden and Fine since Bob’s Birthday. The 91st Oscars air tonight at 8 Eastern on ABC and CTV.
Watch Animal Behaviour below (expires tonight).
Next up on The Mutt: Wynonna Earp future in doubt as Season 4 delayed
Wynonna Earp future in doubt as Season 4 delayed
All of a sudden, Wynonna Earp is in Purgatory.
Earpers were stunned Thursday night when executive producer and showrunner Emily Andras posted (and subsequently deleted) a tweet suggesting that fans of the show may soon have to fight for it. Another tweet, posted shortly later, took a decidedly more straight-forward approach.
Don’t fuck with my family. 💕
— Emily Andras (@emtothea) February 21, 2019
Andras appeared to be responding to the news that funding for the fourth season of Wynonna Earp appeared to be on shaky ground, according to a report from The Hollywood Reporter. According to THR, financial challenges faced by IDW Entertainment have stalled production on Season 4, despite the company being contractually obligated to deliver the show to Syfy.
In response to the news, Earpers took to Twitter with the hashtag #FightForWynonna, which at the time of publication was one of the top Twitter trends in Canada. Though Season 4 has yet to be officially cancelled, IDW has yet to commit to a start date for the new season.
“IDW is committed to continuing to tell the Wynonna Earp story,” the company said in a statement posted to Twitter. “Much like the fans, we are passionate about not only the series, but the comics, the characters and the overall message that the Wynonna Earp franchise carries. We are in the process of working out the details for how the Wynonna story will continue and will share new details very soon.”
Our resident Earper, Ghezal Amiri, was a big fan of Season 3, writing that the show’s season finale, entitled “War Paint”, was a “wildly emotional conclusion.” Read her recap here.