Hailing from Thunder Bay, Ontario, Aurora Browne is one of four creators and stars of CBC’s popular Baroness von Sketch Show, which was renewed for a fourth season on August 23. She spoke with The Mutt about the show’s upcoming season (premiering September 18), going viral and some of her favourite sketches.
THE MUTT: Going into season three, how do you feel the four of you (main cast members Meredith MacNeill, Carolyn Taylor, Jennifer Whalen and Browne) have developed as writers and performers?
AURORA BROWNE: I think that for season three we felt more secure and more confident. When I was looking at the season, I thought, what are all the things I would like to do? Maybe I’m never going to get actually cast as an action star and beat somebody up, but maybe I could write myself in that scene. Other things it was like, yeah we can get this personal or this small, explore this dark little corner of how I look at the future of us as humans on the planet. I think I can share that on a show.
TM: Do you tend to write scenes for your co-stars that you know they’ll be comfortable with, or do you like to put them outside of their comfort zones?
AB: I’ve known Carolyn and Jennifer for a really long time, but that doesn’t mean you’re not discovering that, “Oh, this person is really good at this.” There are lots of times I would I think even, you know, “I’ve never seen Jen do a Russian mobster.” You get a little more playful.
TM: How does the writers’ room on Baroness von Sketch Show compare to other shows that you’ve worked on, especially considering the all-female team you have?
AB: The main thing about it is that it’s really ours. We’ve been given a really amazing amount of creative control across the board. We can hire who we want – of course, the network has final say – but we really get to hire who we’re interested in. For instance, what about this person who is primarily a crime novelist? Because we’re interested in their point of view.
AB: As far as being female, it’s been so long now working on this show that it just seems totally natural. I almost forget that’s not necessarily how it is in the rest of the industry. The other day my son got me into watching Vines, and I was watching this Vine compilation and thought, “Oh, right, guys can be funny too!” I’m so used to sitting here usually laughing with this group I spent almost all of my time with and it was nice to get a reminder that 22-year-olds guys are hilarious. When it’s all women we’re sitting and talking about issues that maybe are a bit personal. Like how many people we’d slept with. I think the discussion was super frank because it was all girls. It can feel like a really personal, nice conversation among the girlfriends and because we can do that in the writers’ room it means we can go to pretty vulnerable places.
TM: You spoke a little bit about discovering new ground in your work. What sketches and topics still feel fresh to you, and what topics do you as a team tend to gravitate towards?
AB: I would say the freshest stuff, sadly, the stuff that feels the most relevant is how do we deal with the terrible dark cloud of what the world has become. Just people dealing with modern life and all the ways it can make you sad and disconnected, in a general term that feels pretty fresh. I would say power dynamics always feel fresh, because I think for most humans power dynamics come up in your everyday life. When we’re exploring being women specifically, a lot of the really subtle interpersonal ways that power is expressed, like between friends in a group at the office, the jockeying for position and a lot of the really subtle ways that happens, that feels fresh. Those weird, private, small stuff that you wonder, “Does anybody else have these things happen?” Small awkwardness never ever, ever, ever fails to be a gold mine.
TM: I think examining those small moments has led to a number of sketches that have really connected, and some that have gone viral. How does that feel when that happens, when things go viral on Facebook and elsewhere?
AB: I don’t think there’s a comedian alive whose ego doesn’t love when that happens. It goes both ways. I think when you see comedy and you think, “Oh good, comedians have expressed something I have experienced, it’s nice.” But for us, when we see all these views on a video about people feeling old when they’re buying wine, it’s kind of nice for us, too. It’s like, “Oh I guess we’re not alone either.”
TM: What were some of your favourite sketches from the past two seasons? Was the buying wine sketch one of them?
AB: That was one of my favourites to do, and also to watch. And the last third of the scene was pretty much improvised. It was super fun to do that one. I love where that scene went.
AB: I love watching everybody’s work too. It’s such a pleasure to watch everybody. The Mad Max one is one that we released first, I loved it across the board. It made me really uncomfortable to do because it was hot. But I loved the costumes, I loved the location and the writing of that one.
TM: As a writer and as you’ve been immersed in the show for some time now, do you find yourself taking notes in your day-to-day life, saying, “Oh that could be a sketch, that could be a sketch…”
AB: Absolutely, absolutely. It’s funny, like there’s no one way a sketch happens. Sometimes I’ll just transcribe incidents that happen. There’s one in the second season when I’m on my bicycle and saying hello to this woman that I pass by. I was on my way to the writers’ room on a Monday morning and I had my list of pitches and while I was biking to work I passed this woman I kind of knew, so I thought I’d yell “hello” at her, but I didn’t have time to stop or I’d be late. So I just awkwardly tried to explain that, “I have to keep going.” Like an asshole. So we ended up writing that into the scene. That kind of stuff. Like many comedians, I’m just riddled with insecurity and anytime you’re aware of that you’re like, “Oh, maybe that’s a sketch.”
TM: What can people expect from season three?
AB: I hope that people keep enjoying it. I hope that we keep it up and maybe exceed it a little bit and that we don’t let them down. That’s the always frightening thing. I just want us to be able to keep people laughing. But if I have any lofty ambitions for the show, I hope that it encourages other networks to give other Canadian creators the opportunity to also be in control and let creators do what they can do. There are so many talented people in this country.
The third season of Baroness von Sketch Show premieres Tuesday, September 18 on CBC.
This interview has been edited and condensed for length.
Schitt’s Creek to conclude after next season
The popular CBC sitcom Schitt’s Creek will end at the conclusion of its sixth season, series co-creator and star Dan Levy announced March 21.
“We are so grateful to have been given the time and creative freedom to tell this story in its totality, concluding with a final chapter that we had envisioned from the very beginning,” Levy said in a statement. “It’s not lost on us what a rare privilege it is in this industry to get to decide when your show should take its final bow.”
Schitt’s Creek premiered on CBC in 2015, becoming one of the network’s most successful half-hour comedies ever. The show follows the fish-out-of-water Rose family, forced to assimilate into a small town after they lose their family fortune.
Though the show’s first season received mixed reviews, it grew in regard with both fans and critics over subsequent iterations. Schitt’s Creek’s fifth season, which premiered on January 8, 2019, scored a 100 per cent “Fresh” ranking on the review aggregate website Rotten Tomatoes.
The show is also among select company among Canadian sitcoms, drawing strong viewership in the United States and elsewhere thanks to distribution on Netflix and the American Pop network. Critics have reacted favourably to recent episodes, with TV Guide’s Megan Vick writing that each season of Schitt’s Creek has “gotten better and better.”
Read Levy’s full statement below.
To Our Dear Fans… pic.twitter.com/FIXjD3gbzA
— dan levy (@danjlevy) March 21, 2019
New episodes of Schitt’s Creek air Tuesday nights at 9/9:30 NT on CBC.
Watch the Oscar-nominated Canadian short “Animal Behaviour”
To get prepped for the 91st Academy Awards, the National Film Board of Canada (NFB) is offering Canadians the chance to check out Animal Behaviour, nominated tonight in the Best Animated Short Film category.
Animal Behaviour is a new short from Alison Snowden and David Fine, who previously won an Oscar in 1994 for Bob’s Birthday. The short is the 75th Oscar nomination for the NFB, and the first short film for Snowden and Fine since Bob’s Birthday. The 91st Oscars air tonight at 8 Eastern on ABC and CTV.
Watch Animal Behaviour below (expires tonight).
Next up on The Mutt: Wynonna Earp future in doubt as Season 4 delayed
Wynonna Earp future in doubt as Season 4 delayed
All of a sudden, Wynonna Earp is in Purgatory.
Earpers were stunned Thursday night when executive producer and showrunner Emily Andras posted (and subsequently deleted) a tweet suggesting that fans of the show may soon have to fight for it. Another tweet, posted shortly later, took a decidedly more straight-forward approach.
Don’t fuck with my family. 💕
— Emily Andras (@emtothea) February 21, 2019
Andras appeared to be responding to the news that funding for the fourth season of Wynonna Earp appeared to be on shaky ground, according to a report from The Hollywood Reporter. According to THR, financial challenges faced by IDW Entertainment have stalled production on Season 4, despite the company being contractually obligated to deliver the show to Syfy.
In response to the news, Earpers took to Twitter with the hashtag #FightForWynonna, which at the time of publication was one of the top Twitter trends in Canada. Though Season 4 has yet to be officially cancelled, IDW has yet to commit to a start date for the new season.
“IDW is committed to continuing to tell the Wynonna Earp story,” the company said in a statement posted to Twitter. “Much like the fans, we are passionate about not only the series, but the comics, the characters and the overall message that the Wynonna Earp franchise carries. We are in the process of working out the details for how the Wynonna story will continue and will share new details very soon.”
Our resident Earper, Ghezal Amiri, was a big fan of Season 3, writing that the show’s season finale, entitled “War Paint”, was a “wildly emotional conclusion.” Read her recap here.